THE2000:Notes:3-28-07
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Contents |
Modern Theater (1875-1945 or today)
- Birth of Realism: everything is realistic, identifiable in real life
Major Playwrights
Henrik Ibsen
- The Doll's House
Strinberg
- The Father (1887)
- Miss Julie (1888)
- watched a clip of this in class, Julie is an aristocrat attracted to her father's servant
Chekov
- The Seagul (1896)
- At first was a failure, people walked out
- Performed at the Moscow Art Theatre, it was a huge success
- Stanislavski, a producer of MAT, said it was a comedy, and the actors needed to act more realistically, they did and it was a success.
- The main character commits suicide at the end, not typical of a comedy.
- Uncle Vanya
- The Three Sisters
- The Cherry Orchard
Producers of Realism
- Realism wasn't seen as marketable or profitable, so independent theater-going "clubs" were formed.
Independent Theatres
- Theatre Libre (Free Theatre) � Paris
- Freie Buhne (Free Stage) � Germany
- Independent Theatre � London
- Moscow Art Theatre � Russia
- MAT was most successful
Moscow Art Theatre
- Dedicated to realism
- Made Chekov famous
- Founded by Vladimir Nemirovich-Danchenko and Konstantin Stanislavski
- Provided first systematic approach to realistic acting � the Stanislavski system
Realistic Theatre (1915-1945)
- Little Theatre Movement
- The Group Theatre � most important producing group
- noncommercial group in NYC Broadway District
- The Federal Theatre Project � Supported theatrical ventures and assisted African American theatres and artists
Realistic Playwrights between the Wars
- Irish Playwrights:
- John Millington Synge
- Sean O' Casey
- United States:
- Eugene O'Neill
- Lillian Hellman



